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Ron Athey’s Acephalous Monster comes with warnings of nudity, bloodletting, BDSM and graphic sexual content, but at its heart is a message of resistance and political activism.
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Breach Theatre present their award-winning play, It’s True, It’s True, It’s True, about the Baroque artist Artemisia Gentileschi, her poignant paintings and the sexual assault trial that shook Renaissance Rome.
Read More “Breach Theatre’s ‘It’s True, It’s True, It’s True’ at the Cambridge Junction”
Having killed her previous boyfriends as acts of ‘self defence’, will Ayoola’s fourth suitor live to tell the tale? Oyinkan Braithwaite’s Women’s and Booker Prize long listed novel, My Sister, the Serial Killer, makes for fiendishly wicked reading, says our contributor Carla Plieth.
Read More “My Sister, the Serial Killer by Oyinkan Braithwaite – a brilliant, compelling portrait of a broken family”
The Hayward Gallery’s current exhibition, Kiss My Genders, displays an array of international artists whose daring and thought-provoking works open up infinite possibilities with regard to gender.
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Louise Orwin’s latest one-woman show, Oh Yes Oh No, tackles the issue of consent, coercion and female erotic desire in the context of the #MeToo movement.
Read More “Louise Orwin’s Oh Yes Oh No at the Cambridge Junction”
Helen Oyeyemi’s latest novel, Gingerbread, surreally blurs fact and fiction in a tale involving three generations of women who love to bake.
Read More “Helen Oyeyemi’s Gingerbread – a surreal and fantastical story about mother-daughter relationships”
The National Theatre’s latest adaptation of Andrea Levy’s novel, Small Island, offers a powerful and poignant exploration of identity, home and belonging.
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Clean Break and the Royal Court Theatre present Inside Bitch, an authentic ensemble performance that looks at the real lives of women in prison as not seen on TV.
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