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Tanztheater Wuppertal Pina Bausch revive one of the late choreographer’s original and most startling works. In Bluebeard, relationships between men and women are laid bare in all their ugliness and beauty.
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Russell Maliphant returns to the delightfully eccentric Coronet Theatre for the third time with maliphantworks3, a terrific triple bill of dance and film.
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Company Concentric return to Resolution 2020 with their captivating new work, Remainder, which looks at the ties between people across geographic and cultural borders.
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Russell Maliphant’s latest work, Silent Lines, is an immersive and profoundly powerful exploration of internal and external realities, mind and body, writes Eirini Diamantouli.
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Award-winning choreographer Russell Maliphant talks to Eirini Diamantouli about his creative process, collaborating with renowned composer Vangelis and his latest work, Silent Lines, soon to be performed at Sadler’s Wells.
Read More “Interview with internationally acclaimed choreographer Russell Maliphant – ‘I’m interested in creating abstract work that deals with our internal world and body’”
Alvin Ailey American Dance Theater stunned audiences this month with three dazzling dance programmes at Sadler’s Wells. Here, Eirini Diamantouli reviews their final programme featuring new works Ounce of Faith and Members Don’t Get Weary, and classics Ella and Revelations.
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Haitian vodou rituals and an exploration of sensory experiences and emplacement come together in Phoenix Dance Theatre’s innovative double bill at the Peacock Theatre.
Read More “Phoenix Dance Theatre’s The Rite of Spring & Left Unseen at the Peacock Theatre”
With Pepperland, Mark Morris Dance Group have created a colourful, lively and dynamic tribute to the Beatles’ lauded 60s album, Sgt Pepper’s Lonely Hearts Club Band.
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Rooted in the past, carrying us forth between present and future, Russell Maliphant and Vangelis’ The Thread is a choreographic and musical exploration in tradition and invention.
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Eirini Diamantouli appreciates the profound power of music and dance in Richard Alston’s masterful production, Quartermark.
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Company Concentric’s Play On is not just fun and games, but a performance that explores serious contemporary concerns through the lens of play, writes our contributor Eirini Diamantouli.
Read More “Company Concentric’s Play On at The Place, London”