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In Luchita Hurtado’s paintings, the nude female body is an affirmation of the self, a locus of solitude and personal care that reminds us to slow down and appreciate ourselves and others, writes Jennifer Brough.
Read More “Postcards in Isolation 22: Luchita Hurtado, Untitled, 1971”
Looking at the New Mexico desert, Georgia O’Keeffe found a new home. In the thirteenth Postcard piece, Emily Garbutt considers O’Keeffe’s vivid, evocative painting, Black Mesa Landscape, New Mexico / Out Back of Marie’s II, 1930, and asks when she will have the opportunity, post-lockdown, to survey a foreign landscape.
Read More “Postcards in Isolation 12: Georgia O’ Keeffe, Black Mesa Landscape, New Mexico / Out Back of Marie’s II, 1930”