Sympathising with the marginalised, Lorca wrote spirited plays featuring aspirational but oppressed women who sought freedom, pleasure and solace under the cover of night. Here, in the first essay of her mini series, Toni Roberts explores Lorca’s rural trilogy, reflecting on his heroines’ relationship to the night – and day.
Award-winning performance artist Louise Orwin talks to our Arts contributor Carla Plieth about her latest project Oh Yes Oh No and its exploration of female sexual desire, the #MeToo movement, her creative process and more.
Mary Higgins and Ell Potter devise and perform in Fitter, a show based on interviews with trans men, cis men and male presenting people, aged from 8 to 102, discussing their views on relationships and desire.
Jordan Tannahill’s latest play, Botticelli in the Fire, is a glorious queering of Florentine Renaissance, which reveals just as much about the present as it does the past.
Tara Overfield-Wilkinson’s revival of Falsettos, the Tony award-winning musical about an unconventional New York Jewish family, is a worthy and emotionally powerful production, writes our theatre critic Jo Hemmings.
Louise Orwin’s latest one-woman show, Oh Yes Oh No, tackles the issue of consent, coercion and female erotic desire in the context of the #MeToo movement.
Jasmine Lee-Jones’ debut play at the Royal Court Theatre is provocatively titled, but perfectly pitched, writes our arts contributor Samantha-Louise Hayden.
Cordelia Lynn and Rebecca Frecknall’s version of Chekhov’s classic, Three Sisters, offers a fresh and modern take on the tale of three siblings yearning for a better life in Moscow.
The National Theatre’s latest adaptation of Andrea Levy’s novel, Small Island, offers a powerful and poignant exploration of identity, home and belonging.
A dinner party brings together five iconic female figures from history and myth in Caryl Churchill’s famous play, Top Girls. Our arts contributor, Jo Hemmings, reviews the National Theatre’s latest revival of Churchill’s feminist classic.
