Skip to content
Lucy Writers Platform

Lucy Writers Platform

  • Home
  • About us
    • About LWP
    • Editors
    • Writers
    • About Lucy Cavendish
    • Constitution
  • My Cambridge
    • Lucy Interviews
    • Lucy Features
    • Postgraduate Corner
      • My Research Articles
  • Write for us
    • Submissions and Contact
    • Special editions
    • Directory
  • Writing
    • Arts
      • Art and design
      • Books
      • Dance
      • Fashion
      • Film and Media
      • Music
      • Theatre
    • Creative Writing
      • Fiction
      • Flash Fiction
      • Poetry
      • Resources
    • Environment
    • General
    • Health and Wellbeing
      • Lucy Features
      • Short read
    • Interviews
    • Opinion
    • Politics
      • Features
      • My Feminisms
    • STEM

‘Maiden’s Tears’ by Olivia Rosane

21st June 202022nd June 2020  Olivia Rosane

In Olivia Rosane’s enchanting and evocative rites-of-passage poem, ‘Maiden’s Tears’, a young woman realises her own inner power and strength when encountering a small wildflower in an open field.

Maiden’s Tears

Beyond the beaver pond

where the trees thin

and my father warned me not to go alone

because the rowdies come to shoot their guns

and shed their bright shell casings,

in the dust, amongst the weeds,

you lured me

with your pale, oval bodies

swaying on thin stems.

The color of pink flesh turned green

for want of love, or blood.

And your small white petals

reaching outward from your downturned mouths

with animal intelligence

like the tentacles of sea anemones

or the rays on the snout

of a Star-nosed mole.

I wanted to look closer

but I feared that you might sniff me out

for going where I should not go

and sting me backwards

towards obedience,

away from you.

I had to know your name.

Maiden’s tears?

I scoffed.

Too delicate; too tame.

Then, I remembered,

nothing was more wild

than the first time

I began to sob

not knowing why.

Only knowing that my body

had dragged me in its growth

farther down the path

than I was prepared to go.

And, from now on,

all would be strange

and nothing comfortable.

But, in the silence after,

I found beauty

as if the tears had carved a canyon.

Deep inside me was a vastness

I had not held before.

About Olivia Rosane

Olivia Rosane is a poet, freelance writer, and PhD candidate at the University of Cambridge. Her non-fiction has appeared in EcoWatch, YES! Magazine, and Real Life Mag and her poetry has appeared in epilogue. She also attempts to make sense of the ongoing humanitarian and ecological crisis at (Un)NaturePoems.com

 About Sara Rivers

Sara Rivers is an artist who works in different media. She completed her foundation diploma at Brighton School of Art and her BA in Fine Art at Canterbury School of Art. She has also studied Art Therapy at St Albans School of Art, Hertfordshire. Sara founded the Creativity Centre, a space for outsider artists and those recovering from mental ill health, at Isledon Road (formerly Corsica Street), London. She is a founder member of the Otherside Gallery, and has created three short films, all of which were funded by the NHS. Sara is passionate about improving the services available to people experiencing mental ill health, and has led many campaigns against the continued cuts to day services in the borough of Islington. Sara is the current artist for Lucy Writers, and has designed all the artwork for the website to date. To view more of Sara’s work follow her new Instagram account @pixbysararivers and see her profile on Outside In.

‘Maiden’s Tears’ was written for the series Flora & Fauna of Foreign Places, which was conceived and edited by Usha Akella for Lucy Writers.

Flora and fauna define our cultural sensibility; what trees and flowers we grew up with signifies ‘home.’ Transplant an individual to a foreign environment with strange trees and flowers, he or she is likely to feel ‘foreign’. Flowers are culturally specific in symbolism expressed in social events like weddings and funerals. 

As a recent graduate of a Creative Writing MSt living in America, Usha noticed that in addition to the gift of knowledge and friendships, her journeys to the UK sparked an interest in flora. For the first time, she noticed a passion to want to know the names of flowers and trees. Somewhere along the way between the limes of Trinity College and the walnut maple of Madingley Hall; between the splendid gardens of Rydal Mount and rolling vales of Cumbria, she had been infected with a green-eye. When she walks in her Austin neighbourhood, she is now incited to know the names of the wildflowers and trees that she took for granted visually. And she notices, how this new world seeps into her writing gradually. 

Right now, the early bloom of summer is upon most countries. So, it seems perfect to celebrate flowers, plants and trees as a theme for the poetry issue. In the next few weeks, Usha will be publishing poems by writers from around the world that explore, reflect on and appreciate the flora and fauna of foreign places, and what they mean to them.

Posted in Creative Writing, PoetryTagged: Flora & Fauna of Foreign Places, Maiden Tears, nature, Olivia Rosane, Poetry, Rite of Passage, Usha Akella

Post navigation

‘Labelled for Your Convenience’ by Marissa McCallam
Postcards in Isolation 9: Otto Dix, Portrait of the Journalist Sylvia von Harden, 1926
  • Queer Tricks & Hermaphrodite Dances – Nino Strachey’s Young Bloomsbury: A New Queer History
    By Lottie Whalen
  • Motion and other poems by Catherine Norris
    By Catherine Norris
  • Hit Parade of Tears: Stories by Izumi Suzuki – the emotional disparities of dystopia
    By Jennifer Brough
  • About us
  • Writers
  • About Lucy Cavendish
  • Write for us
  • Submissions and Contact
  • Special editions
Top