Emma Hanson reviews Julian Henriques’ 1998 musical film, Babymother, and considers the reality of single Black motherhood against its often prejudiced on- and off-screen representation.
Selin Genc takes us on a return trip, economy class, to the Eurovision of the early 00s, where austerity was answered with excessive performances – and a singing turkey!
The 2019 Met Gala took inspiration from Susan Sontag’s renowned essay, ‘Notes on Camp’, but what of the less glamorous, closer-to-home forms of Sontagion camp? Here, Rebecca Savage looks at the queer origins of Coronation Street, its campy costumes and flamboyant characters.
On the anniversary of the death of writer and filmmaker Margaret Tait, we celebrate her life’s work with a recording of our event Midwinter with Margaret Tait, a book launch in collaboration with LUX London and So Mayer, which featured special guest speakers Sarah Neely, Lottie Whalen, Pema Monaghan and Alison Miller.
In her film, artist Georgia Gardner reflects on her experience of learning and participating in movement workshops via Zoom, and how the transition from physical space to a virtual one creates new selves and connections.
Artist Michèle Saint-Michel fuses poetry and music with news reportage in her powerful audio piece, The Immortal Charlie Parker. In it, she recounts her experience of reconnecting with a childhood friend during the early stages of the pandemic.
Shows like Dear White People, I May Destroy You and Insecure are to be applauded for focusing on friendships between black women. But, argues, Aysha Abdulrazak, to what extent are these being informed by a white supremacist lens? And who are they for?
Homemade sees 17 acclaimed and upcoming filmmakers from around the world respond to the pandemic and quarantine experience during the first few months of lockdown.
Unorthodox tells the story of Esther Shapiro and her struggle to live life on her terms, away from the ultra orthodox Jewish community she was born into. But, says Maryam Ahmad, the mini-series casts a compassionate eye, not just on Esther, but all the characters involved.
As the internet will have no doubt reminded you, staying at home and catching up on some Netflix is now officially *heroic*. Here’s an eclectic mix of streaming recommendations from our contributors.
Based on her knowledge of astrology and a partially traumatising viewing of Tom Hooper’s movie adaptation of CATS, Nicky Watkinson predicts the star sign of each cat.
