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Author: Catherine Howe

Dr Catherine Howe is a researcher, lecturer and curator specialising in twentieth-century European and American art. She is currently a postdoctoral fellow at the Paul Mellon Centre for Studies in British Art, editing her PhD thesis on Francis Bacon, surrealism and post-structuralism into a book, as well as working as an associate lecturer at The Open University and a catalogue raisonné consultant for the Roy Lichtenstein Foundation. She has also taught at the Courtauld and the University of Sussex, and her work has been published in exhibition catalogues for Tate, Centre Pompidou, the Royal Academy and Barbican. She contributed to the exhibitions Queer British Art 1861-1967 at Tate Britain (2017), along with Isamu Noguchi (2021) and Postwar Modern (2022) at Barbican.

Rosanne Robertson’s Subterrane at Maximillian William

20th December 202128th December 2021  Catherine Howe

Rosanne Robertson’s Subterrane uses both the ruggedness and fluidity of the West Cornish coastline to celebrate the beauty of queer bodies and gender non-conformity, writes Catherine Howe.

Read More “Rosanne Robertson’s Subterrane at Maximillian William”
Posted in Art and design, ArtsTagged: art, atomatism, Catherine Howe, Cornwall, drawing, Film, Ithell Colquhon, LGBTQ+, LGBTQIA+, Maximillian William, painting, Queer Art, queer identities, Rosanne Robertson, sculpture, Sea, Subterrane, Surrealism, trans identities, water
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