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Author: Lottie Whalen

Lottie Whalen is a writer and researcher based in Hackney, East London. In 2017 she completed an AHRC funded PhD at Queen Mary University of London entitled ‘Mina Loy’s Designs for Modernism’, which explored the avant-garde poet, artist, and designer Mina Loy’s multimedia art practice and decorative aesthetic. She is currently working on a book based on her thesis. Lottie is the co-founder of Decorating Dissidence, an interdisciplinary arts project that explores the political, aesthetic & conceptual qualities of feminine-coded arts from modernism to the contemporary. It brings together art practitioners, makers, curators, activists and academics to break down disciplinary boundaries and find new ways to critically engage with feminist art history. As part of this project, she curates exhibitions, workshops and arts events, and is an editor for Decorating Dissidence’s online magazine. Find Lottie on twitter at: @DrLottieW or email lottie.a.whalen@gmail.com

Interview with acclaimed author Francesca Wade: ‘You really get a sense, in these women’s letters and novels, of the exhilaration that having a place of their own brought about’

17th August 202117th August 2021  Lottie Whalen

Lottie Whalen talks to editor and author Francesca Wade about her prize-winning book, Square Haunting, the single women who sought to find a room of their own in Bloomsbury, her research and writing processes, and why the book resonates for women today.

Read More “Interview with acclaimed author Francesca Wade: ‘You really get a sense, in these women’s letters and novels, of the exhilaration that having a place of their own brought about’”
Posted in Arts, Books, InterviewsTagged: Between the Acts, Bloomsbury, Dorothy Sayers, Eileen Power, Faber, Francesca Wade, H. D., housing, Jane Harrison, Square Haunting, Three Guineas, Virginia Woolf

Postcards in Isolation 9: Otto Dix, Portrait of the Journalist Sylvia von Harden, 1926

21st June 202021st June 2020  Lottie Whalen

In Otto Dix’s Portrait of the Journalist Sylvia von Harden, 1926, Lottie Whalen sees both an insouciant New Woman and Dix’s embodiment of a dangerously dissolute era. Recalling a recent encounter with the painting in Paris, she reflects on the freedoms we stand to lose in the time of Covid-19.

Read More “Postcards in Isolation 9: Otto Dix, Portrait of the Journalist Sylvia von Harden, 1926”
Posted in Art and design, ArtsTagged: Covid-19, Decorating Dissidence, Lockdown Living, Lottie Whalen, Otto Dix, Paris, Pompidou, Postcards in Isolation, Rochelle Roberts, Sylvia von Harden

Behind the Myth of the Mad Muse: Dora Maar at Tate Modern

19th January 202025th January 2020  Lottie Whalen

Tate Modern’s latest exhibition celebrates the work of Surrealist artist Dora Maar, drawing her out of the shadow of male contemporaries and challenging the myth of the ‘mad muse’.

Read More “Behind the Myth of the Mad Muse: Dora Maar at Tate Modern”
Posted in Art and design, ArtsTagged: Barbican Art Gallery, Cubism, Dora Maar, Man Ray, Nusch Eluard, Photography, Photomontage, Picasso, Surrealism, Tate Modern

Lee Krasner: Living Colour at the Barbican Art Gallery

8th July 20199th July 2019  Lottie Whalen

The Barbican’s Lee Krasner: Living Colour is a long overdue celebration of an indomitable artist whose ingenious eye offers a kaleidoscopic perspective on the inner and outer worlds that shape our lives, writes our arts contributor Dr Lottie Whalen.

Read More “Lee Krasner: Living Colour at the Barbican Art Gallery”
Posted in Art and design, ArtsTagged: Abstract Expressionism, American Abstract Artists Group, Barbican, Barbican Art Gallery, Barbican Centre, Cubism, David Chipperfield Architects, Fernand Leger, Greenwich Village, Jazz, Lee Krasner, Living Colour, Naum Gabo, painting, Piet Mondrian
  • An interview with author Siân Hughes: ‘the heart of the mystery is this dangerous ground of motherhood’
    By Rym Kechacha
  • Lucie Rie: The Adventure of Pottery at Kettle’s Yard, Cambridge
    By Julia Bagguley
  • In conversation with Ennatu Domingo: ‘To belong somewhere new, you have to feel at peace with the place you left behind’
    By Emily Walters
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