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In these two compelling poems written using the surrealist automatism method, Angel Dionne creates strange imagistic worlds that quietly move as much as they unsettle.
Read More “Sad Algorithm and other poems by Angel Dionne”
On a trip to Berkeley, California, Molly Gilroy discovered Sylvia Fein’s hypnotic and blazing work, The Painting Told Me What to Do, 2012, an image, which in postcard form, has given her hope during lockdown.
Read More “Postcards in Isolation 19: Sylvia Fein, The Painting Told Me What to Do, 2012”
For the fourth piece in her continued series, Rochelle Roberts reflects on Dorothea Tanning’s monumental and transformative self-portrait, Birthday, 1942, and considers the prospect of the end to coronavirus.
Read More “Postcards in Isolation 4: Dorothea Tanning, Birthday, 1942”
In her third piece from a self-conceived series, Rochelle Roberts reflects on Eileen Agar’s Angel of Anarchy, 1936-40, a striking and evocative object that embodies current feelings of sadness, inaccessibility and loneliness.
Read More “Postcards in Isolation 3: Eileen Agar, Angel of Anarchy, 1936-40”
During these times of self-isolation and remote learning, visual art can still be a source of inspiration. Here, Rochelle Roberts reflects on Claude Cahun’s notable work, Self-Portrait (as weight trainer).
Read More “Postcards in Isolation 1: Claude Cahun, Self-Portrait (as weight trainer), 1927”
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