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Author: Marion Beauchamp-Levet

Marion Beauchamp has a Master's Degree in International Relations and is now finishing a second one in History of Migration at La Sorbonne University in Paris while studying English Literature at the University of Cambridge. Very much passionate about all forms of cultural expression (especially dance and theatre), she is also involved in non-profit associations for cultural exchanges in the Mediterranean region and has been volunteering in the REF-Réseau Euromed France for two years to improve the dialogue between both shores of the Mediterranean sea. As editor of the Cavendish Chronicle and writer for the Lucy Writers Platform, she wishes to encourage everyone wishing to express themselves to do so.

Brexit: A Student’s Point of View

11th March 201920th October 2019  Marion Beauchamp-Levet

Lucy Cavendish student Marion Beauchamp-Levet talks with fellow Erasmus scholars about the fears and formalities of Brexit.

Read More “Brexit: A Student’s Point of View”
Posted in Features, My Cambridge, Politics, Postgraduate CornerTagged: Brexit, Citizenship, education, Erasmus, EU, Europe, European Union, Learning Together, Politics, Populism, students

Review of Didy Veldman’s Umanoove in The Knot at the Mumford Theatre, Cambridge

15th December 201824th December 2018  Marion Beauchamp-Levet

Arts contributor Marion Beauchamp-Levet is enchanted by The Knot, the latest production from Didy Veldman’s company Umanoove.

Read More “Review of Didy Veldman’s Umanoove in The Knot at the Mumford Theatre, Cambridge”
Posted in Arts, DanceTagged: Contemporary dance, Didy Veldman, Gender, love, Marriage, Mumford Theatre, relationships, The Knot, Umanoove

Review of King Charles III at the ADC Theatre, Cambridge

12th December 201812th December 2018  Marion Beauchamp-Levet

Our reviewer Marion Beauchamp-Levet enjoys the murky politics, humour and Shakespearean parallels in this new adaptation of Mike Bartlett’s King Charles III.

Read More “Review of King Charles III at the ADC Theatre, Cambridge”

Posted in Arts, TheatreTagged: ADC Theatre, democracy, Gaia Fay Lambert, Issy Snape, King Charles III, Mike Bartlett, Populism, Shakespeare
  • Queer Tricks & Hermaphrodite Dances – Nino Strachey’s Young Bloomsbury: A New Queer History
    By Lottie Whalen
  • Motion and other poems by Catherine Norris
    By Catherine Norris
  • Hit Parade of Tears: Stories by Izumi Suzuki – the emotional disparities of dystopia
    By Jennifer Brough
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