Winner of the Costa 2019 Poetry Award, Mary Jean Chan’s debut collection, Flèche, deftly explores the conflicts and desires of a queer woman, the multiplicity of identity, and the power felt when wielding a sword.
Opinion editor and arts contributor, Kitty Wenham, celebrates Ballet Black’s innovative and modern approach to classical dance in their latest double bill at the York Theatre Royal.
Our reviewer Marion Beauchamp-Levet enjoys the murky politics, humour and Shakespearean parallels in this new adaptation of Mike Bartlett’s King Charles III.