Skip to content
Lucy Writers Platform

Lucy Writers Platform

  • Home
  • About us
    • About LWP
    • Editors
    • Writers
    • About Lucy Cavendish
    • Constitution
  • My Cambridge
    • Lucy Interviews
    • Lucy Features
    • Postgraduate Corner
      • My Research Articles
  • Write for us
    • Submissions and Contact
    • Special editions
    • Directory
  • Writing
    • Arts
      • Art and design
      • Books
      • Dance
      • Fashion
      • Film and Media
      • Music
      • Theatre
    • Creative Writing
      • Fiction
      • Flash Fiction
      • Poetry
      • Resources
    • Environment
    • General
    • Health and Wellbeing
      • Lucy Features
      • Short read
    • Interviews
    • Opinion
    • Politics
      • Features
      • My Feminisms
    • STEM

Tag: Igor Stravinsky

Pina Bausch’s The Rite of Spring at Sadler’s Wells

11th June 202213th June 2022  Hannah Hutchings-Georgiou

In collaboration with École des Sables, Sadler’s Wells and Tanztheater Wuppertal, this new production of Pina Bausch’s The Rite of Spring is brilliant, brutal and now more relevant than ever, writes Hannah Hutchings-Georgiou.

Read More “Pina Bausch’s The Rite of Spring at Sadler’s Wells”
Posted in Arts, DanceTagged: Contemporary dance, Dance, dance review, Germaine Acogny, Hannah Hutchings-Georgiou, Igor Stravinsky, Pina Bausch, Review, Sadler's Wells, Tanztheater Wuppertal, Tanztheater Wuppertal Pina Bausch, The Rite of Spring

Elizabeth Warren, Coretta Scott King and the women leading the English National Ballet’s latest triple bill, She Persisted.

8th April 201921st April 2020  Hannah Hutchings-Georgiou

Enduring misogyny in the Senate Chamber, Elizabeth Warren was then championed by feminist allies around the world with the ubiquitous tag #ShePersisted. Here, Hannah Hutchings-Georgiou looks at the dance works inspired by this phrase and the women who, through their art, persevered.

Read More “Elizabeth Warren, Coretta Scott King and the women leading the English National Ballet’s latest triple bill, She Persisted.”
Posted in Art and design, Arts, DanceTagged: #MeToo, #ShePersisted, #TimesUp, A Doll's House, Annabelle Lopez Ochoa, ballet, Broken Wings, calacas, Contemporary dance, Coretta Scott King, Crystal Costa, Diego Rivera, Elizabeth Warren, English National Ballet, Feminism, Francesca Velicu, Frida Kahlo, Henrik Ibsen, Igor Stravinsky, Katja Khaniukova, Kurt Jooss, Laurent Liotardo, Le Sacre du printemps, mexican art, mexico, Mitch McConnell, Philip Glass, Pina Bausch, She Persisted, Stina Quagebeur, Tamara Rojo, Tanztheater Wuppertal, The Rite of Spring, Trek Mukamedov, US politics
  • Magic by Moonlight: Kirsten Glass’ Night-Scented Stock at Karsten Schubert, London
    By Hannah Hutchings-Georgiou
  • Picturing Loss: On Francesca Woodman by Lisa Goodrum
    By Lisa Goodrum
  • Beyond the Confines of Nell Brookfield’s Canvas
    By Rachel Ashenden
  • About us
  • Writers
  • About Lucy Cavendish
  • Write for us
  • Submissions and Contact
  • Special editions
Top