In collaboration with École des Sables, Sadler’s Wells and Tanztheater Wuppertal, this new production of Pina Bausch’s The Rite of Spring is brilliant, brutal and now more relevant than ever, writes Hannah Hutchings-Georgiou.
Desires rage and sexual tensions are let loose in Tanztheater Wuppertal Pina Bausch’s sublimely smart and ever-relevant classic, Kontakthof, at Sadler’s Wells.
Russell Maliphant’s latest work, Silent Lines, is an immersive and profoundly powerful exploration of internal and external realities, mind and body, writes Eirini Diamantouli.
Award-winning choreographer Russell Maliphant talks to Eirini Diamantouli about his creative process, collaborating with renowned composer Vangelis and his latest work, Silent Lines, soon to be performed at Sadler’s Wells.
Dada Masilo gives us a Giselle for the twenty-first century; a heroine we identify with and a phenomenal production that makes us feel, writes Hannah Hutchings-Georgiou.
Inspired by a real-life earthquake experience, French b-boy Yaman Okur presents 1mm Au Dessus Du Sol, a high-energy piece mixing skilful breaking moves with elements of traditional theatre.
In the run up to her bold and brilliant reimagining of Giselle, dancer and choreographer Dada Masilo talks to Shirley Ahura about retelling the classics of ballet, empowering women and using dance to break down cultural barriers.
MADHEAD is the latest phenomenal dance production to come from Olivier Award-winning choreographer, Botis Seva, in collaboration with dancers from the National Youth Dance Company. Here, Hannah Hutchings-Georgiou discusses its themes of generational (dis-)connection, inner conflict and the power of young people.
Dancers move from the restrictive confines of seventeenth-century-inspired Catholicism to the liberating, empowering passion of flamenco in Patricia Guerrero’s scintillating piece, Catedral.
Haitian vodou rituals and an exploration of sensory experiences and emplacement come together in Phoenix Dance Theatre’s innovative double bill at the Peacock Theatre.
Ballet Flamenco Sara Baras opens this year’s Flamenco Festival London at Sadler’s Wells to well-deserved uproarious applause with their enthrallingly innovative and spectacular show, Sombras.
The perils of electronic technology, the stylistic beauty of modernism and the possibilities a solar eclipse affords are all explored in San Francisco Ballet’s terrific triple bill at Sadler’s Wells.
