Iona Glen reflects on Celia Paul’s memoir, Self Portrait, the significance of the British Museum and Bloomsbury to the artist’s work, and her subversive vanquishing of “muse-dom” and patriarchal conventions through painting.
With a major retrospective of Linder’s work opening at Kettle’s Yard, Julia Bagguley reflects on the life, art and legacy of one of Britain’s most overlooked feminist artists and performers of the punk era.
