Throughout history Eurydice has been portrayed as a voiceless cypher next to the vocal brilliance of her husband Orpheus. But does the ENO’s 2019 programme of Gluck, Offenbach and Glass alter this? asks our writer Miriam Al Jamil.
Unbridled passions are laid bare in Dane Hurst’s Animalis, a theatrical response to the paintings in Dulwich Picture Gallery’s current exhibition, Ribera: Art of Violence.
