Our writer Suzannah Ball talks to award-winning author, Litro editor and mentor, Catherine McNamara about her latest collection of flash fiction, the differences between flash and the short story form, and how travel and migration have influenced her work.
Leanne Radojkovich’s latest collection of fiction, Hailman, is filled with startling images that linger in the mind and encourage you to excavate its mysterious, dream-like prose, writes our contributor Rym Kechacha.
Johanna Robinson’s flash fiction, ‘The Composition of Us’, celebrates friendship between women – the joy, tears, late night talks and parties experienced before the pandemic and now in lockdown, online.
Amanda is out for the night with her new school mate, Lea. But when her so-called friends – an assortment of symptoms from her Dissociative Identity Disorder (DID) – turn up, she finds it hard to determine who and what is real.
For women in Northern Ireland and a post-Repeal Republic telling stories which speak from the body and its traumas remains a powerful tool, argues Laura Hackett when considering the work of Sally Rooney, Lucy Caldwell, Sinéad Gleeson and others.