Lieke Marsman’s brilliantly ‘cool’ novel, The Opposite of a Person (translated by Sophie Collins), is at once a novel about love and language, people and the individual, nature and the ideas we wield over the natural world, writes Kathryn Cutler-MacKenzie.
Moving between the lives of several generations of women in Spain, Elena Medel’s beautifully observed debut novel, The Wonders, examines class and the impact of poverty on family relationships and aspirations.
In Louise Mey’s beautifully written psychological thriller, The Second Woman, a grieving ‘crying’ man is not what he seems – and neither is the story of his missing wife.
Anna Kate Blair talks to author Sara Jaffe about why Dryland is an anti-coming-out novel, writers who have influenced her work, being published by the Queer UK-based Independent publisher Cipher Press, leaning into the awkwardness of writing about adolescence, music and much more.
Natasha Brown’s powerful, deftly written debut explodes neoliberal myths of meritocratic success and reveals the stark reality faced by young Black women when attempting to make it to the top.
Emma Hanson talks to novelist Buki Papillon about her stunning debut, An Ordinary Wonder, her literary inspirations, studying law and getting over rejection as a writer.
Rym Kechacha reviews Joseph Andras’ powerful novel, Tomorrow They Won’t Dare To Murder Us, and considers the impact of colonial violence and fights for independence around the world today.
Niven Govinden’s latest novel, Diary of a Film, is a love letter to the art of cinema, a sensuous portrayal of the relationships occurring behind the camera as well as on-screen.
Saskia Vogel’s beautifully written debut, Permission, is about sex, power, and, yes, BDSM. But it’s also about grief, belonging and the healing that comes from such intimacy, writes our guest editor Elodie Rose Barnes.
Kim Sherwood, award-winning author of Testament, talks to Miriam Al Jamil about her debut novel and its origins, her creative process and her exciting second novel.
With The Private Joys of Nnenna Maloney, Okechuckwu Nzelu has crafted a brilliant novel about a young woman trying to discover her Nigerian roots and navigate the complexities of love.
For women in Northern Ireland and a post-Repeal Republic telling stories which speak from the body and its traumas remains a powerful tool, argues Laura Hackett when considering the work of Sally Rooney, Lucy Caldwell, Sinéad Gleeson and others.
