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Tara Fatehi Irani’s outdoor performance, Mishandled Archive, dismantles and remantles the archive, embodies and rebodies memories, and, in its fragmentary state, gives us something to hold whilst holding us, writes So Mayer, in their stunning reflection on the artist’s work. With contributions from Elhum Shakerifar and Sam Fisher.
Read More “Missed Hands by So Mayer”
Award-winning performance artist Louise Orwin talks to our Arts contributor Carla Plieth about her latest project Oh Yes Oh No and its exploration of female sexual desire, the #MeToo movement, her creative process and more.
Read More “Interview with performance artist, Louise Orwin – “I hate this toxic idea that if women become empowered it’s taking something away from men””
Memory, loss and migration are all explored in Tara Fatehi Irani’s beautifully evocative work, Mishandled Archive. Here, Hannah Hutchings-Georgiou reflects on Fatehi Irani’s ongoing project and her “mishandling” of ancestral archives.
Read More “Migrating Memories and Transitive Memorials: Tara Fatehi Irani’s Mishandled Archive and Our Collective Handling of the Past”
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