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The Royal Academy’s latest exhibition, Whistler’s Woman in White: Joanna Hiffernan, uses paintings, drawings and sketchbooks to shine a light on the woman behind the muse, the business manager and companion behind the model.
Read More “Whistler’s Woman in White: Joanna Hiffernan at the Royal Academy”
In this creative ‘Christmas’ essay, Hannah Hutchings-Georgiou reflects on the power and therapeutic potential of drawing in her own life, the artistic practise of Louise Bourgeois, and Jean Frémon’s new text Nativity (Les Fugitives).
Read More “Drawn into Being: the drawings of Louise Bourgeois and Jean Frémon’s Nativity”
The National Gallery’s blockbuster exhibition celebrates the professional ingenuity, self-confidence and skilful proto-feminist paintings of one of Italy’s best Early Modern women artists, Artemisia Gentileschi.
Read More “Artemisia at the National Gallery, London”
Kathryn Cutler-MacKenzie reflects on the seminal work, The Advantages of Being a Woman Artist, 1988, by Guerrilla Girls, and calls for women in the art world to be more politically engaged and active in their practise.
Read More “Postcards in Isolation 8: Guerrilla Girls, The Advantages of Being a Woman Artist, 1988”
In Alice Procter’s new book, The Whole Picture, Sumaya Kassim finds a smart, accessible and brilliantly structured work that encourages readers to go beyond the grand architecture of cultural institutions and see the problematic colonial histories behind them.
Read More “Here to make trouble: Alice Procter’s The Whole Picture: The colonial story of the art in our museums and why we need to talk about it”
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