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Body Politic’s latest production, Father Figurine, unites hip hop dance theatre and spoken word to powerful effect when exploring the fractured relationship between a father and his son. Our arts contributor, Shirley Ahura, writes an extended review of this vital, poignant piece.
Read More “Body Politic’s Father Figurine at Stratford Circus Arts Centre”
Shirley Ahura reflects on the physical and social pressures placed on today’s dancers after seeing Christina Dionysopoulou’s exceptional piece, Catch 28, at The Place.
Read More “Christina Dionysopoulou’s Catch 28 at The Place, London”
In her review, Shirley Ahura captures the high energy of Joshua Nash’s unparalleled duet, Blacklist, performed as part of The Place’s Festival of New Choreography, Resolution 2019.
Read More “Joshua Nash’s Blacklist at The Place, London”
Wilkie Branson’s TOM is a brave and inspiring visual leap of the imagination, says our arts contributor Shirley Ahura.
Read More “Review of Wilkie Branson’s TOM at the Lilian Baylis Theatre, Sadler’s Wells”