In this courageous and powerful piece, Irenosen Okojie discusses the emotional abuse and exploitation Black women creatives have experienced in various arts industries and calls for greater accountability amongst white male perpetrators.
Kirsten Glass’ enchanting paintings conjure alternate realms, invoke esoteric energies and summon nocturnal beings. In this creative essay, Hannah Hutchings-Georgiou meditates on the “obverse” side of her mesmerising work and its magical channeling of all things dark.
Heavy with heartache and loss, Lisa Goodrum turned to the haunting photography of Francesca Woodman to make sense of the pain and the blurry, achromatic period that was the summer of 2019. Here, in hauntingly beautiful prose, she tells her story.
Rachel Ashenden talks to artist Nell Brookfield about how her evocative paintings’ capture the strange in the quotidian and unleash the animalistic in the human.
In these two compelling poems written using the surrealist automatism method, Angel Dionne creates strange imagistic worlds that quietly move as much as they unsettle.
Peaches and pigs, softness and hunger, all crop up and are used to explore women’s relationships to their bodies in Cecilia Knapp’s raw and remarkable collection, Peach Pig, writes our contributor Seraphina Edelmann.
Iona Glen meets award-winning poet, Polly Atkin, to discuss her recent biography Recovering Dorothy, how Dorothy Wordsworth’s illness has been overlooked in academic scholarship, the marginalisation of those with chronic ill health, poems as time machines and much more.
Claudia Durastanti’s luminous novel, Strangers I Know, traverses multiple identities, migrations and languages, and considers how ‘art can free an individual from difference, and difference from solitude’, writes Vartika Rastogi.
For her fifth dinner party, author and host Susanna Crossman talks to writers Elizabeth Chakrabarty, Lily Dunn and Shamini Sriskandarajah about eliding the barriers between fiction and non-fiction, the ethics of (memoir) writing, diverse ways of reading via Lydia Davis and whether to “glam up” or dress down when sitting down to write.
In Louise Mather’s short yet sublime poetry, the body is in turns a miracle immaculately conceived and mirrored before its speaker and an open wound, bloody for all to see.
Family ties are challenged and remade during politically divisive and tumultuous times in Véronique Olmi’s intimate and brilliantly written novel, Daughters Beyond Command.
Acclaimed author Savala Nolan talks to Hannah Hutchings-Georgiou about her latest collection of essays, Don’t Let It Get You Down (The Indigo Press), navigating interstitial spaces and identities, the ubiquity of violence to women, imagination as a vital tool to access African American history and life writing as a form of cartography for readers.
