In this creative ‘Christmas’ essay, Hannah Hutchings-Georgiou reflects on the power and therapeutic potential of drawing in her own life, the artistic practise of Louise Bourgeois, and Jean Frémon’s new text Nativity (Les Fugitives).
After an Erasmus exchange in Paris, artist and art historian Kathryn Cutler-MacKenzie discovered that translation is about the space between languages and voices; a space that affords us new connections, ideas and friendships.
In this beautiful creative non-fiction piece, ‘Gold Top’, Rym Kechacha uses Remedios Varo’s painting, Celestial Pablum, to explore her own experiences of breastfeeding her baby daughter through the night.
On a trip to Berkeley, California, Molly Gilroy discovered Sylvia Fein’s hypnotic and blazing work, The Painting Told Me What to Do, 2012, an image, which in postcard form, has given her hope during lockdown.
Sian Norris reflects on the female gaze as captured in Zinaida Serebriakova’s At the Dressing Table, 1909, and when looking at Dorothea Tanning’s Self-Portrait, 1944, she considers the lack of freedom we have during lockdown.
Dismissed in his lifetime as mad, William Blake is now lauded as a visionary genius, one whose art and poetry have influenced many generations of creatives. Shamini Sriskandarajah visits Tate Britain’s recent retrospective to find out why.
Our use of pottery for everyday rituals dates back to before the Neolithic period, but today we appreciate the subtle beauty of ceramics. Here, Julia Bagguley discusses the history of pottery in relation to artist Jennifer Lee’s work, currently on show at Kettle’s Yard.
Initially termed as ‘a minor producer of charming still lifes’, the late artist Mary Fedden OBE went on to sell her work for six figure sums. Our arts contributor, Julia Bagguley, reflects on Fedden’s journey from mural maker to internationally known painter.