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During these times of self-isolation and remote learning, visual art can still be a source of inspiration. Here, Rochelle Roberts reflects on Claude Cahun’s notable work, Self-Portrait (as weight trainer).
Read More “Postcards from Isolation: Claude Cahun, Self-Portrait (as weight trainer), 1927”
After viewing Dulwich Picture Gallery’s latest exhibition, British Surrealism, Jennifer Brough reflects on one of the west’s most disruptive art movements, its elitism, and how women surrealists are gradually being given the space they deserve.
Read More “British Surrealism at Dulwich Picture Gallery”
Tate Modern’s latest exhibition celebrates the work of Surrealist artist Dora Maar, drawing her out of the shadow of male contemporaries and challenging the myth of the ‘mad muse’.
Read More “Behind the Myth of the Mad Muse: Dora Maar at Tate Modern”
Helen Oyeyemi’s latest novel, Gingerbread, surreally blurs fact and fiction in a tale involving three generations of women who love to bake.
Read More “Helen Oyeyemi’s Gingerbread – a surreal and fantastical story about mother-daughter relationships”
Tate Modern opens a door into the deliciously dark, intimate and, at times, comical world of Dorothea Tanning, a surrealist for our times.
Read More “Dorothea Tanning at Tate Modern”
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