In this beautifully meditative essay, Emma Jones reflects on Ithell Colquhoun’s painting, Scylla, the artist’s links to British Surrealism and how seeing the body as landscape takes us beyond our narrow borders into new realms of personal and collective freedom.
Chance encounters, random moments, fateful figures spinning a celestial web. These are the images and occurrences that form the life and work of Surrealist artist Remedios Varo and inspire author Rym Kechacha’s own writing, especially her latest novel, To Catch a Moon.
In the Whitechapel’s latest retrospective, Eileen Agar is revealed as an artist of unique imagination, a free spirit whose repertoire looked to the magic of nature for inspiration, writes our contributor Denise Hansen.
Bringing together thirteen emerging artists between the ages of 16-25, the Barbican’s latest exhibition, It All Comes Down, explores how young people navigate the world and approach their artistic practise during the pandemic.
In this beautiful creative non-fiction piece, ‘Gold Top’, Rym Kechacha uses Remedios Varo’s painting, Celestial Pablum, to explore her own experiences of breastfeeding her baby daughter through the night.
On a trip to Berkeley, California, Molly Gilroy discovered Sylvia Fein’s hypnotic and blazing work, The Painting Told Me What to Do, 2012, an image, which in postcard form, has given her hope during lockdown.