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On a trip to Berkeley, California, Molly Gilroy discovered Sylvia Fein’s hypnotic and blazing work, The Painting Told Me What to Do, 2012, an image, which in postcard form, has given her hope during lockdown.
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After viewing Dulwich Picture Gallery’s latest exhibition, British Surrealism, Jennifer Brough reflects on one of the west’s most disruptive art movements, its elitism, and how women surrealists are gradually being given the space they deserve.
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Sarah Crompton chairs a panel of curators, artists and the director of the Dulwich Picture Gallery to discuss the future of women in the art world, as reported by Arts writer Miriam Al Jamil.
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Tate Modern opens a door into the deliciously dark, intimate and, at times, comical world of Dorothea Tanning, a surrealist for our times.
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