Skip to content
Toni Roberts discusses how Mona Hatoum’s radiant red sculpture, Hot Spot III, 2009, has become a relevant work of art during her time in lockdown and a metaphor for our cage-like existence.
Read More “Postcards in Isolation 7: Mona Hatoum, Hot Spot III, 2009”
For the fourth piece in her continued series, Rochelle Roberts reflects on Dorothea Tanning’s monumental and transformative self-portrait, Birthday, 1942, and considers the prospect of the end to coronavirus.
Read More “Postcards in Isolation 4: Dorothea Tanning, Birthday, 1942”
In her third piece from a self-conceived series, Rochelle Roberts reflects on Eileen Agar’s Angel of Anarchy, 1936-40, a striking and evocative object that embodies current feelings of sadness, inaccessibility and loneliness.
Read More “Postcards in Isolation 3: Eileen Agar, Angel of Anarchy, 1936-40”
A pioneer of video art and a foreseer of communication in the age of the internet, visionary artist Nam June Paik is celebrated in Tate Modern’s latest exhibition.
Read More “Nam June Paik: The Modern Shaman of the Multimedia World”
Tate Modern’s latest exhibition celebrates the work of Surrealist artist Dora Maar, drawing her out of the shadow of male contemporaries and challenging the myth of the ‘mad muse’.
Read More “Behind the Myth of the Mad Muse: Dora Maar at Tate Modern”
Tate Modern’s latest retrospective of the Russian avant-garde artist, Natalia Goncharova, is a triumph of colour, style and artistic brilliance, writes our arts contributor Gabriela Frost.
Read More “Natalia Goncharova at Tate Modern”
Tate Modern opens a door into the deliciously dark, intimate and, at times, comical world of Dorothea Tanning, a surrealist for our times.
Read More “Dorothea Tanning at Tate Modern”