Artists 4 Artists prove that they’re at the forefront of dance innovation and theatrical talent, with their double bill of Christopher Reyes’ Sean and Kloé Dean’s Man Up at the Laban Theatre.
MADHEAD is the latest phenomenal dance production to come from Olivier Award-winning choreographer, Botis Seva, in collaboration with dancers from the National Youth Dance Company. Here, Hannah Hutchings-Georgiou discusses its themes of generational (dis-)connection, inner conflict and the power of young people.
Dancers move from the restrictive confines of seventeenth-century-inspired Catholicism to the liberating, empowering passion of flamenco in Patricia Guerrero’s scintillating piece, Catedral.
South Korean artists Bongsu Park and Jinyeob Cha join forces to produce Dream Ritual, a delicate, mesmerising and fascinating multi-sensory journey through sleep and dreams, writes our arts contributor My Ly.
Haitian vodou rituals and an exploration of sensory experiences and emplacement come together in Phoenix Dance Theatre’s innovative double bill at the Peacock Theatre.
Ballet Flamenco Sara Baras opens this year’s Flamenco Festival London at Sadler’s Wells to well-deserved uproarious applause with their enthrallingly innovative and spectacular show, Sombras.
Body Politic’s latest production, Father Figurine, unites hip hop dance theatre and spoken word to powerful effect when exploring the fractured relationship between a father and his son. Our arts contributor, Shirley Ahura, writes an extended review of this vital, poignant piece.
The perils of electronic technology, the stylistic beauty of modernism and the possibilities a solar eclipse affords are all explored in San Francisco Ballet’s terrific triple bill at Sadler’s Wells.
Breakin’ Convention 2019, a specially curated international festival of hip hop dance theatre, brings together performers, artists, choreographers, DJs and educators from all over the world for four days of exceptional dance and music.
Shirley Ahura talks to acclaimed dancer and choreographer, Joshua Nash, about identity, Hip Hop theatre and making a case for Krump in its rawest form.
