Award-winning performance artist Louise Orwin talks to our Arts contributor Carla Plieth about her latest project Oh Yes Oh No and its exploration of female sexual desire, the #MeToo movement, her creative process and more.
Journalist, writer and lecturer Melissa Chemam reflects on the Arnolfini’s recent exhibition Still, I Rise, the cultural history of Bristol and her experience as the gallery’s writer in residence.
Mary Higgins and Ell Potter devise and perform in Fitter, a show based on interviews with trans men, cis men and male presenting people, aged from 8 to 102, discussing their views on relationships and desire.
Louise Orwin’s latest one-woman show, Oh Yes Oh No, tackles the issue of consent, coercion and female erotic desire in the context of the #MeToo movement.
Enduring misogyny in the Senate Chamber, Elizabeth Warren was then championed by feminist allies around the world with the ubiquitous tag #ShePersisted. Here, Hannah Hutchings-Georgiou looks at the dance works inspired by this phrase and the women who, through their art, persevered.
Postgraduate & Environment editor, Dr Florence Hazrat, explores the sexism rife in academia and demands institutional change from its most guilty institutions.
