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Tag: Hannah Hutchings-Georgiou

Magic by Moonlight: Kirsten Glass’ Night-Scented Stock at Karsten Schubert, London

15th December 202220th December 2022  Hannah Hutchings-Georgiou

Kirsten Glass’ enchanting paintings conjure alternate realms, invoke esoteric energies and summon nocturnal beings. In this creative essay, Hannah Hutchings-Georgiou meditates on the “obverse” side of her mesmerising work and its magical channeling of all things dark.

Read More “Magic by Moonlight: Kirsten Glass’ Night-Scented Stock at Karsten Schubert, London”
Posted in Art and design, Arts, Arts EssaysTagged: Hannah Hutchings-Georgiou, Hecate, Hekate, Karsten Schubert, Kirsten Glass, moon light, Mythology, Night-Scented Stock, sigils, surealism, the Occult, Water Offerman, witchcraft, women artists

An Interview with acclaimed author Savala Nolan: ‘Liminality gives me a sense of having multiple passports. It renders me a kind of polyglot and translator’

9th November 202210th November 2022  Hannah Hutchings-Georgiou

Acclaimed author Savala Nolan talks to Hannah Hutchings-Georgiou about her latest collection of essays, Don’t Let It Get You Down (The Indigo Press), navigating interstitial spaces and identities, the ubiquity of violence to women, imagination as a vital tool to access African American history and life writing as a form of cartography for readers.

Read More “An Interview with acclaimed author Savala Nolan: ‘Liminality gives me a sense of having multiple passports. It renders me a kind of polyglot and translator’”
Posted in Arts, Books, InterviewsTagged: African American history, Black Women Creatives, Black Women Writers, Bodies, creative non-fiction, Don't Let It Get You Down, essays, Feminism, Hannah Hutchings-Georgiou, Intersectional Feminism, interviews, My Body's Bodies Editorial, non-fiction, personal essay, Saidiya Hartman, Savala Nolan, The Indigo Press

Pina Bausch’s The Rite of Spring at Sadler’s Wells

11th June 202213th June 2022  Hannah Hutchings-Georgiou

In collaboration with École des Sables, Sadler’s Wells and Tanztheater Wuppertal, this new production of Pina Bausch’s The Rite of Spring is brilliant, brutal and now more relevant than ever, writes Hannah Hutchings-Georgiou.

Read More “Pina Bausch’s The Rite of Spring at Sadler’s Wells”
Posted in Arts, DanceTagged: Contemporary dance, Dance, dance review, Germaine Acogny, Hannah Hutchings-Georgiou, Igor Stravinsky, Pina Bausch, Review, Sadler's Wells, Tanztheater Wuppertal, Tanztheater Wuppertal Pina Bausch, The Rite of Spring

Body Politic’s THEM at the Omnibus Theatre

16th March 202217th March 2022  Hannah Hutchings-Georgiou

Body Politic’s latest production, THEM, brilliantly foregrounds the stories of three sufferers of misogyny and sexual violence, and pushes us to confront our own cultural indifference towards such abuse.

Read More “Body Politic’s THEM at the Omnibus Theatre”
Posted in Arts, DanceTagged: #MeToo, Body Politic, Christina Dionysopoulou, Dance, Duja Sinada, Elsabet Yonas, Emma Jane Greig, Hannah Hutchings-Georgiou, Hip Hop dance, Hip Hop Dance Theatre, Hip Hop Theatre, Jackie Kibuka, misogynoir, misogyny, My Body's Bodies Editorial, Omnibus Theatre, Review, THEM, women in hip hop

Lucy Writers Announces Our New Arts Council England Funded Project, What the Water Gave Us

24th February 202224th February 2022  Lucy Writers

Lucy Writers is proud to announce its new Arts Council England funded mentoring project, What the Water Gave Us, for emerging women writers.

Read More “Lucy Writers Announces Our New Arts Council England Funded Project, What the Water Gave Us”
Posted in Arts, Books, Creative Writing, Lucy Features, My Cambridge, Non-FictionTagged: Arts Council England, Arts Council England National Lottery Grant, Brexit Britain, Burley Fisher, Claire Hynes, Elodie Rose Barnes, Emma Claire Sweeney, Emma Hanson, Hannah Hutchings-Georgiou, Immigration, Irenosen Okojie, Jenny Chamarette, Lucy Cavendish College, migrant writers, Migration, Pandemic, Rojbîn Arjen Yigit, Selin Genc, Shamini Sriskandarajah, Shirley Ahura, So Mayer, Susan Barker, Takeaway Press, The Ruppin Agency, water, What the Water Gave Us, Yen Ooi, Yvonne Battle-Felton

Love is blood on the dance floor: Tanztheater Wuppertal Pina Bausch’s Kontakthof at Sadler’s Wells

5th February 20225th February 2022  Hannah Hutchings-Georgiou

Desires rage and sexual tensions are let loose in Tanztheater Wuppertal Pina Bausch’s sublimely smart and ever-relevant classic, Kontakthof, at Sadler’s Wells.

Read More “Love is blood on the dance floor: Tanztheater Wuppertal Pina Bausch’s Kontakthof at Sadler’s Wells”
Posted in Arts, DanceTagged: arts criticism, Contemporary dance, Dance, dance review, dating, Gender, Hannah Hutchings-Georgiou, Pina Bausch, Sadler's Wells, Tanztheater Wuppertal

Drawn into Being: the drawings of Louise Bourgeois and Jean Frémon’s Nativity

22nd December 202023rd December 2020  Hannah Hutchings-Georgiou

In this creative ‘Christmas’ essay, Hannah Hutchings-Georgiou reflects on the power and therapeutic potential of drawing in her own life, the artistic practise of Louise Bourgeois, and Jean Frémon’s new text Nativity (Les Fugitives).

Read More “Drawn into Being: the drawings of Louise Bourgeois and Jean Frémon’s Nativity”
Posted in Art and design, Arts, Books, Creative Writing, Non-FictionTagged: Ann Coxon, art, Art History, art therapy, Artist, Books in translation, Christmas, Cole Swensen, creativity, drawing, Hannah Hutchings-Georgiou, Jean Frémon, John Berger, Languages, Les Fugitives, Louise Bourgeois, Lucy Lippard, Motherhood, Nativity, portraiture, pregnancy, Translation, unconscious

Postcards in Isolation 18: Faith Ringgold, #19 US Postage Stamp Commemorating the Advent of Black Power, 1967

5th August 20205th August 2020  Hannah Hutchings-Georgiou

Faith Ringgold’s striking painting, #19 US Postage Stamp, 1967, captures the complexities of the Black Power movement in 60s America and the white supremacist structures African Americans were subject to. But it serves as a metaphor for our times too, writes Hannah Hutchings-Georgiou.

Read More “Postcards in Isolation 18: Faith Ringgold, #19 US Postage Stamp Commemorating the Advent of Black Power, 1967”
Posted in Art and design, ArtsTagged: Black Lives Matter, Black Power Movement, BLM, Faith Ringgold, Hannah Hutchings-Georgiou, Hyde Park, Lockdown Living, Malcolm X, Martin Luther King, Medgar Evers, Monuments, Postcards in Isolation, Rochelle Roberts, sculpture, The Serpentine, US Postage Stamp
  • Magic by Moonlight: Kirsten Glass’ Night-Scented Stock at Karsten Schubert, London
    By Hannah Hutchings-Georgiou
  • Picturing Loss: On Francesca Woodman by Lisa Goodrum
    By Lisa Goodrum
  • Beyond the Confines of Nell Brookfield’s Canvas
    By Rachel Ashenden
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