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In collaboration with École des Sables, Sadler’s Wells and Tanztheater Wuppertal, this new production of Pina Bausch’s The Rite of Spring is brilliant, brutal and now more relevant than ever, writes Hannah Hutchings-Georgiou.
Read More “Pina Bausch’s The Rite of Spring at Sadler’s Wells”
Desires rage and sexual tensions are let loose in Tanztheater Wuppertal Pina Bausch’s sublimely smart and ever-relevant classic, Kontakthof, at Sadler’s Wells.
Read More “Love is blood on the dance floor: Tanztheater Wuppertal Pina Bausch’s Kontakthof at Sadler’s Wells”
Tanztheater Wuppertal Pina Bausch revive one of the late choreographer’s original and most startling works. In Bluebeard, relationships between men and women are laid bare in all their ugliness and beauty.
Read More “Tanztheater Wuppertal Pina Bausch’s Bluebeard at Sadler’s Wells”
Enduring misogyny in the Senate Chamber, Elizabeth Warren was then championed by feminist allies around the world with the ubiquitous tag #ShePersisted. Here, Hannah Hutchings-Georgiou looks at the dance works inspired by this phrase and the women who, through their art, persevered.
Read More “Elizabeth Warren, Coretta Scott King and the women leading the English National Ballet’s latest triple bill, She Persisted.”
Christy Wensley reflects on the representation of Medusa in literary and performative art after seeing Jasmin Vardimon’s latest piece, Medusa, at Sadler’s Wells.
Read More “The Monstrous Feminine: Reflections on the Moving Figure of Medusa in the work of Vardimon, Graham and Bausch.”
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