The Albertina’s current exhibition of Renaissance master Albrecht Dürer includes much of his celebrated work, but its the sketches and watercolours found in his personal archives that impress the most, writes Anna Parker.
Illustrious clubs and night spots in Mexico, Iran, Nigeria and numerous European cities are celebrated – and recreated – in the Barbican’s latest exhibition, Into the Night: Cabarets and Clubs in Modern Art.
Two exhibitions at the British Museum and Watts Gallery strive to re-contextualise European Orientalism and emphasise artistic relationships between east and west, but do they succeed? asks our arts writer Miriam Al Jamil.
A mistress of disguise and dramatic personae, Cindy Sherman’s photography is internationally known for challenging gender constructs and shattering the illusion of appearance. In her review, Charlie Evans-Flagg appreciates the enduring profundity of Sherman’s oeuvre.