Throughout history Eurydice has been portrayed as a voiceless cypher next to the vocal brilliance of her husband Orpheus. But does the ENO’s 2019 programme of Gluck, Offenbach and Glass alter this? asks our writer Miriam Al Jamil.
Company Concentric’s Play On is not just fun and games, but a performance that explores serious contemporary concerns through the lens of play, writes our contributor Eirini Diamantouli.
Impressively inventive and executed with spy-like precision, Julie Rose Bower’s latest show explodes Foley artistry and ventures into the heartlands of Russian history.
