Artist Michèle Saint-Michel fuses poetry and music with news reportage in her powerful audio piece, The Immortal Charlie Parker. In it, she recounts her experience of reconnecting with a childhood friend during the early stages of the pandemic.
Throughout history Eurydice has been portrayed as a voiceless cypher next to the vocal brilliance of her husband Orpheus. But does the ENO’s 2019 programme of Gluck, Offenbach and Glass alter this? asks our writer Miriam Al Jamil.