Homemade sees 17 acclaimed and upcoming filmmakers from around the world respond to the pandemic and quarantine experience during the first few months of lockdown.
In the first of her self-conceived series, The Dinner Party Reloaded, a virtual dinner party with selected artists and writers, Susanna Crossman meets Chiara Ambrosio, Lottie Whalen and Jemima Yong to discuss their creative projects, the looseness of time in lockdown, contact and intimacy in our increasingly digital age and the joys of chickpea stew.
A pioneer of video art and a foreseer of communication in the age of the internet, visionary artist Nam June Paik is celebrated in Tate Modern’s latest exhibition.
I’ve found comfort in procedurals including State of Play, Spotlight, Miss Sloane and Denial, but now I’m moved by doubts about how they fit into an increasingly extreme political climate, writes our arts contributor Olivia Scott-Berry.
The arrival of Captain Marvel heralds a new era for the Marvel Cinematic Universe – one that finally allows me, and millions of other moviegoers, to see ourselves in MCU superheroes.
Writer and independent researcher, Sumaya Kassim, looks at how film is being used to explore what diaspora, issues of transnational belonging and British national identity mean to Arab womxn and non-binary film-makers.
Netflix is turning towards investigative journalism, and two of its new series reveal the depths of corporate crime and corruption. But how should we respond to crimes that are seen as “business as usual”?
Barbara Bolig explores the various retellings of the Medea myth and asks if it’s possible to sympathise with one of mythology’s darkest female protagonists.
