Rosanne Robertson’s Subterrane uses both the ruggedness and fluidity of the West Cornish coastline to celebrate the beauty of queer bodies and gender non-conformity, writes Catherine Howe.
Kathryn Cutler-MacKenzie talks to award-winning author Niven Govinden about his latest book Diary of a Film, the power and freedom of walking, the importance of the cinematic lens to his writing and assertive characters.
Arts editor Hannah Hutchings-Georgiou reflects on the brave and bold new choreography from Alesandra Seutin, Botis Seva and Julie Cunningham in Sadler’s Wells’ triple bill, Reckonings.
