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In light of Amanda Parer’s installation, Intrude, being shown at Liverpool’s Exchange Flags, Sumaya Kassim considers the environmental and cultural devastation of white colonialism in Australia.
Read More “Follow the White Rabbit: the ‘Anthropocene’, Australia and whiteness as pestilence in Amanda Parer’s Intrude at Liverpool Light Show”
The Royal Academy’s retrospective of Antony Gormley’s work is an awe-inspiring, immersive experience that brings the outdoors inside, writes our illustrator Sara Rivers.
Read More “Antony Gormley at the Royal Academy”
Tate Modern’s latest retrospective of the Russian avant-garde artist, Natalia Goncharova, is a triumph of colour, style and artistic brilliance, writes our arts contributor Gabriela Frost.
Read More “Natalia Goncharova at Tate Modern”
Tate Modern opens a door into the deliciously dark, intimate and, at times, comical world of Dorothea Tanning, a surrealist for our times.
Read More “Dorothea Tanning at Tate Modern”