In Maximillian William’s recent exhibition, Embodying Anew, work by Thaddeus Moseley, Magdalene Odundo and Simone Leigh challenges Western appropriation of African aesthetics and celebrates the cultural practices of indigenous Africa.
In Alice Procter’s new book, The Whole Picture, Sumaya Kassim finds a smart, accessible and brilliantly structured work that encourages readers to go beyond the grand architecture of cultural institutions and see the problematic colonial histories behind them.