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The eccentric, grotesque and awe-inspiring legacy of Aubrey Beardsley is celebrated in Tate Britain’s largest exhibition of his drawings in 50 years.
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Throughout history Eurydice has been portrayed as a voiceless cypher next to the vocal brilliance of her husband Orpheus. But does the ENO’s 2019 programme of Gluck, Offenbach and Glass alter this? asks our writer Miriam Al Jamil.
Read More “Eurydice Among the Shades”