So Mayer is the author of A Nazi Word for a Nazi Thing (Peninsula Press, 2020), jacked a kaddish (Litmus, 2018), Political Animals: The New Feminist Cinema (IB Tauris, 2015) and (O) (Arc, 2015). They contributed an essay in Not That Bad: Dispatches from Rape Culture, edited by Roxane Gay (Allen & Unwin, 2018) and the introduction to Spells: 21st Century Occult Poetry, edited by Sarah Shin and Rebecca Tamás (Ignota, 2018). So is a bookseller at Burley Fisher, a curator with queer feminist film collective Club des Femmes, and co-founder of Raising Films, a campaign and community for parents and carers in the film industry. Follow So on Twitter @Such_Mayer
After seeing artist Charlotte Salomon’s work in an exhibition before the first lockdown, So Mayer started to reflect on the evolution of Salomon’s innovative, word-strewn paintings. Here, they consider how Salomon’s work conjures and embodies a unique voice, a bold assertion of self that defies curatorial and art historical prejudices.