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In the final postcard of her series, Rochelle Roberts reflects on the last few months since the first lockdown, and finds comfort and hope in the artwork of Somaya Critchlow and Dorothea Tanning’s Interior with Sudden Joy, 1951.
Read More “Postcards in Isolation 28: Somaya Critchlow and Dorothea Tanning’s Interior with Sudden Joy, 1951”
Sian Norris reflects on the female gaze as captured in Zinaida Serebriakova’s At the Dressing Table, 1909, and when looking at Dorothea Tanning’s Self-Portrait, 1944, she considers the lack of freedom we have during lockdown.
Read More “Postcards in Isolation 11: Zinaida Serebriakova’s At the Dressing Table, 1909 and Dorothea Tanning’s Self Portrait, 1944”
For the fourth piece in her continued series, Rochelle Roberts reflects on Dorothea Tanning’s monumental and transformative self-portrait, Birthday, 1942, and considers the prospect of the end to coronavirus.
Read More “Postcards in Isolation 4: Dorothea Tanning, Birthday, 1942”
After viewing Dulwich Picture Gallery’s latest exhibition, British Surrealism, Jennifer Brough reflects on one of the west’s most disruptive art movements, its elitism, and how women surrealists are gradually being given the space they deserve.
Read More “British Surrealism at Dulwich Picture Gallery”
Tate Modern opens a door into the deliciously dark, intimate and, at times, comical world of Dorothea Tanning, a surrealist for our times.
Read More “Dorothea Tanning at Tate Modern”