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Kathryn Cutler-MacKenzie reflects on the seminal work, The Advantages of Being a Woman Artist, 1988, by Guerrilla Girls, and calls for women in the art world to be more politically engaged and active in their practise.
Read More “Postcards in Isolation 8: Guerrilla Girls, The Advantages of Being a Woman Artist, 1988”
During these times of self-isolation and remote learning, visual art can still be a source of inspiration. Here, Rochelle Roberts reflects on Claude Cahun’s notable work, Self-Portrait (as weight trainer).
Read More “Postcards in Isolation 1: Claude Cahun, Self-Portrait (as weight trainer), 1927”
A mistress of disguise and dramatic personae, Cindy Sherman’s photography is internationally known for challenging gender constructs and shattering the illusion of appearance. In her review, Charlie Evans-Flagg appreciates the enduring profundity of Sherman’s oeuvre.
Read More “Cindy Sherman at the National Portrait Gallery”
Our arts contributor, Miriam al Jamil, marvels at the mastery and beauty of Elizabethan miniatures at the National Portrait Gallery.
Read More “Elizabethan Treasures: Miniatures by Hilliard & Oliver at the National Portrait Gallery”
The National Portrait Gallery’s latest exhibition, Gainsborough’s Family Album, captures the artist’s affection for his family, says our contributor Jessica Lim.
Read More “Gainsborough’s Family Album at the National Portrait Gallery, London.”
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