Kathryn Cutler-MacKenzie reflects on the seminal work, The Advantages of Being a Woman Artist, 1988, by Guerrilla Girls, and calls for women in the art world to be more politically engaged and active in their practise.
During these times of self-isolation and remote learning, visual art can still be a source of inspiration. Here, Rochelle Roberts reflects on Claude Cahun’s notable work, Self-Portrait (as weight trainer).
A mistress of disguise and dramatic personae, Cindy Sherman’s photography is internationally known for challenging gender constructs and shattering the illusion of appearance. In her review, Charlie Evans-Flagg appreciates the enduring profundity of Sherman’s oeuvre.
The National Portrait Gallery’s latest exhibition, Gainsborough’s Family Album, captures the artist’s affection for his family, says our contributor Jessica Lim.
