Looking at the New Mexico desert, Georgia O’Keeffe found a new home. In the thirteenth Postcard piece, Emily Garbutt considers O’Keeffe’s vivid, evocative painting, Black Mesa Landscape, New Mexico/ Out Back of Marie’s II, 1930, and asks when she will have the opportunity, post-lockdown, to survey a foreign landscape.
It’s all the rage now. Every news channel features it at least once a day; Twitter and Facebook feeds are awash with comments, and at social events it’s the perfect conversation killer: climate change. Our Environment Editor, Florence Hazrat, explains why she resists today’s hot topic.
William Henry Searle’s Threads is a call to order and serves to remind us of our material and spiritual reliance on the natural world. But is Searle’s encounter with nature relatable? asks our arts writer Gabriela Frost.