Looking at the New Mexico desert, Georgia O’Keeffe found a new home. In the thirteenth Postcard piece, Emily Garbutt considers O’Keeffe’s vivid, evocative painting, Black Mesa Landscape, New Mexico/ Out Back of Marie’s II, 1930, and asks when she will have the opportunity, post-lockdown, to survey a foreign landscape.
In Olivia Rosane’s enchanting and evocative rites-of-passage poem, ‘Maiden’s Tears’, a young woman realises her own inner power and strength when encountering a small wildflower in an open field.
Sophia Naz’s lush and imagistic poems describe the fallen splendour of a wilting sunflower, the passing of a season and a desolate landscape of leafless redwood trees.
It’s all the rage now. Every news channel features it at least once a day; Twitter and Facebook feeds are awash with comments, and at social events it’s the perfect conversation killer: climate change. Our Environment Editor, Florence Hazrat, explains why she resists today’s hot topic.
William Henry Searle’s Threads is a call to order and serves to remind us of our material and spiritual reliance on the natural world. But is Searle’s encounter with nature relatable? asks our arts writer Gabriela Frost.
This website uses cookies to improve your experience while you navigate through the website. Out of these, the cookies that are categorized as necessary are stored on your browser as they are essential for the working of basic functionalities of the website. We also use third-party cookies that help us analyze and understand how you use this website. These cookies will be stored in your browser only with your consent. You also have the option to opt-out of these cookies. But opting out of some of these cookies may affect your browsing experience.
Analytical cookies are used to understand how visitors interact with the website. These cookies help provide information on metrics the number of visitors, bounce rate, traffic source, etc.
