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Looking at the New Mexico desert, Georgia O’Keeffe found a new home. In the thirteenth Postcard piece, Emily Garbutt considers O’Keeffe’s vivid, evocative painting, Black Mesa Landscape, New Mexico / Out Back of Marie’s II, 1930, and asks when she will have the opportunity, post-lockdown, to survey a foreign landscape.
Read More “Postcards in Isolation 12: Georgia O’ Keeffe, Black Mesa Landscape, New Mexico / Out Back of Marie’s II, 1930”
In Olivia Rosane’s enchanting and evocative rites-of-passage poem, ‘Maiden’s Tears’, a young woman realises her own inner power and strength when encountering a small wildflower in an open field.
Read More “‘Maiden’s Tears’ by Olivia Rosane”
Sophia Naz’s lush and imagistic poems describe the fallen splendour of a wilting sunflower, the passing of a season and a desolate landscape of leafless redwood trees.
Read More “‘Elegy for a Sunflower’ and other poems by Sophia Naz”
It’s all the rage now. Every news channel features it at least once a day; Twitter and Facebook feeds are awash with comments, and at social events it’s the perfect conversation killer: climate change. Our Environment Editor, Florence Hazrat, explains why she resists today’s hot topic.
Read More “Why I’m not an Environmentalist.”
William Henry Searle’s Threads is a call to order and serves to remind us of our material and spiritual reliance on the natural world. But is Searle’s encounter with nature relatable? asks our arts writer Gabriela Frost.
Read More “Threads by William Henry Searle – a rich and brilliant tapestry of nature’s wilds”
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