Winner of the Costa 2019 Poetry Award, Mary Jean Chan’s debut collection, Flèche, deftly explores the conflicts and desires of a queer woman, the multiplicity of identity, and the power felt when wielding a sword.
Award-winning performance artist Louise Orwin talks to our Arts contributor Carla Plieth about her latest project Oh Yes Oh No and its exploration of female sexual desire, the #MeToo movement, her creative process and more.
Throughout history Eurydice has been portrayed as a voiceless cypher next to the vocal brilliance of her husband Orpheus. But does the ENO’s 2019 programme of Gluck, Offenbach and Glass alter this? asks our writer Miriam Al Jamil.
The Albertina’s current exhibition of Renaissance master Albrecht Dürer includes much of his celebrated work, but its the sketches and watercolours found in his personal archives that impress the most, writes Anna Parker.